The year 1984 has come and gone, but George Orwell’s prophetic, nightmarish vision in 1949 of the world we were becoming is timelier than ever. 1984 is still the great modern classic of “negative utopia” -a startlingly original and haunting novel that creates an imaginary world that is completely convincing, from the first sentence to the last four words. No one can deny the novel’s hold on the imaginations of whole generations, or the power of its admonitions -a power that seems to grow, not lessen, with the passage of time.
Why I picked this book up:
I’d read this book a good few years ago, but as it climbed higher up the bestsellers list over the last few weeks (three guesses as to why) I realised that I hardly remembered anything about the book itself, or even the majority of the characters. Luckily this classic is fairly short one that I could dip in and out of during a hectic week of job interviews and class presentations.
As you can probably tell from the 4 star rating, I did thoroughly enjoy this book – that being said, I don’t think it was anywhere near perfect in its construction. The first hundred pages, until the character of Julia comes into play, is almost entirely exposition told through the quite boring day to day activities of Winston. I also felt that when Orwell included passages from the book, these 5 page excerpts were quickly condensed by Winston’s internal monologue immediately after, so felt very unnecessary and clunky in what was a very fast paced section of the book. If I’m really being picky, in places the political messages felt a little over-stated, with some passages, such as that on the creation of newspeak, extremely intelligent and deftly handled, whereas others, such as when Winston discovers a photograph of some inner circle members, were a little overdramatic and lacked the nuance so much of the book contained.
Despite my few small problems with the narrative, this reread really cemented how excellent and relevant this novel still is. Orwell’s exploration of intellectual freedom, language, and different forms of rebellion is like nothing else I’ve read, and so clearly defined a genre that is continuously replicated today. The dark and menacing ending acts as a warning and stark reminder of political powers that go unchecked, and how rebelling can be as large as standing up to corrupt leaders, or simply finding the beauty in life that those in power would have you forget.
“Being in a minority, even a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.”
Overall rating: 4/5